![]() ![]() This color is also applied to the pine trees in the middle ground.Ī light wash is applied using the same cool gray used for the background over the areas of snow in the foreground.Ī light wash of Ultramarine is pulled out from the base of the birch and pine trees to create long cast shadows on the snow.Ī dark mixture of Ultramarine and Burnt Umber is used to pull up tree trunks for the pines. While this area is still damp, a fingernail is used to scratch lines that will eventually translate as tree trunks.Ī heavier concentration of dark green is applied to create a bit of depth to the distant trees. Since the surface is still heavily saturated, the color will bleed into the background, creating a shape and texture similar to that of distant trees. This color is produced by mixing Prussian Blue, Ultramarine, and Gamboge Hue. While the background is still wet, the color for the distant tree line is added. A heavier concentration of Ultramarine is present in the mix to give the color a blue appearance. This mixture is the result of combining Ultramarine, Alizarin Crimson, and Gamboge Hue. Once the masking fluid has had ample time to dry completely, a light wash of cool gray is applied to the background. Liquid masking fluid is used to mask the shapes of the birch trees in the foreground. It is recommended to use an old brush for this application since the masking fluid can ruin the brush if the material is allowed to dry. ![]() First, a contour line drawing of the composition is created on 140 lb watercolor paper using an "HB" pencil.
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